With MLB’s spring training about to kick off and Chicago’s weather being at an all time low, I’ve been thinking a lot about spending some warm days and nights at Wrigley Field this summer. I can’t wait to catch some more beautiful sights like this at the Friendly Confines.
Happy Halloween! As is tradition, here’s a creepy photo of the Pullman Factory in the Pullman neighborhood to set the mood for the holiday. Although the factory looks very creepy and run down, there are no reported or documented cases of anything haunted. None-the-less, I thought these were some great shots to post up today for Halloween.
Check out some of my older posts on some of the alleged haunted places around Chicago:
Enjoy and have a safe and Happy Halloween!
Yesterday, September 21, 2013, was National Red Bull Flugtag. Five cities hosted events: Chicago, Washington, Miami, Dallas Fort Worth and Long Beach. This year, for the first time, the Chicago Flugtag took place at Burnham park. Due to the ever changing weather in Chicago, the flugtag was delayed for about 2.5 hours, but that didn’t discourage people from showing up, staying around and supporting their favorite crafts. Over 60,000 people showed up throughout the day.
Here are some of the awesome crafts that showed up to compete in the flugtag and their attempt at flying:
Team Shatter gets ready to take off from the flight deck. You can see the full city skyline from Burnham harbor.
Team Alice in Casinoland
Team The Raging Dorothies
In my personal (and VERY biased) opinion, I don’t think you’ll find a bigger sports town than Chicago. Sure, L.A. has the Lakers, NYC has the Yankees, Detroit has the Red Wings and Green Bay has that one football team. All of them are home to dominating teams who have had their fair share of success. But those towns just don’t seem to have the same passion for ALL of their teams as Chicago does. However, I will admit that I have a ton of respect for Boston who I think would be the runner-up for “best sports city” given their loyalty to the Patriots, Celtics, Red Sox and Bruins. But again (totally biased) there are few cities whose fans live and die by the fates of their favorite teams like this one. From the lows of enduring over a century without a Championship like my beloved Chicago Cubs, to the extreme highs of winning 2 Championships in 4 seasons like the Blackhawks, Chicago LOVES their sports teams. So unlike the Bostons of the world who seem to win some kind of MLB, NHL, NFL or NBA championship every other year, we have to celebrate these big wins like it’s the last time it will ever happen….because it very well could be. At least in my lifetime.
With that in mind, I find it hard to believe that just one month ago, I was sitting in a Wrigleyville bar watching the Game 6 of the Stanley Cup Finals which pitted the Chicago Blackhawks who were one win away from clinching the Cup against the Boston Bruins. It was late in the game and every Hawks fan was anxiously hoping that there wouldn’t be a need to play Game 7… but sadly, in the back of my mind I was certain there would be. But with only 1:56 left in regulation, Bryan Bickell gave Chicagoans the most exciting, yet nerve-racking, 2 minutes in the history of hockey and probably the world (at least in my warped mind) when he scored a game tying goal which was promptly followed by Dave Bolland’s game winning goal 17 seconds later only to end the night by hoisting of the most coveted trophy in all of sports- The Stanley Cup.
Days later, somewhere around 2 million fans gathered in the heart of the city to celebrate the 6 game triumph over the Bruins by watching the victory parade and rally for the 2013 Stanley Cup Champions and attempt to get an up close glimpse of Lord Stanley’s Cup. The parade started at the United Center where players, families and past legends boarded trolleys and double-decker busses and made their way down Washington St as they headed to Hutchinson Field for the rally.
Now that I have had a full month to recover from the stress, anxiety, depression, excitement and excessive happiness of the playoffs as well as the euphoria, exhaustion and intoxication related to the celebrations that followed, here are some of my favorite shots that I got of the parade and rally from that wonderful day.
The early morning sun reflects off of the building across the street illuminating the Art Institute and one of the iconic lion statues that happens to be wearing a Blackhawks helmet.
Every large crowd always has at least one moron who decides to do something stupid to draw attention to himself. This one decided that climbing to the top of a really old light pole would be a good idea.
A view of the crowd from Buckingham Fountain looking down Congress Parkway towards Columbus Drive.
Here comes the President’s Trophy escorted by Mike Gapsky, Jim Keintzelman, Paul Goodman, Jeff Thomas, Clif Reif and Troy Parchman.
Look at Coach Q… only took winning the Stanley Cup to get him to smile.
Patrick Kane #88
Andrew Shaw ways to the crowd. As you might remember, Shaw took a puck to the face during Game 6 and still managed to come back to game after getting a few stitches.
Fan favorite, Dave Bolland salutes the crowd as he passes by. Bolland’s goal late in the 3rd period of Game 6, which came 17 seconds after Bryan Bickell’s game-tying goal, ending up being the game winner to clinch the Championship for Chicago. Two days after the parade, he was traded to Toronto. Thanks for the memories, Bolland.
Duncan Keith, Patrick Sharp, Sheldon Brookbank and Brent Seabrook
Michael Frolik and Michal Handzus wave to the crowd.
The Captain escorting Lord Stanley!
The view of the Chicago Skyline from the very back end of Hutchinson Field where the rally was held.
Security was VERY tight for the rally which included only two points of entrance, mandatory bag checks, countless police officers and even a couple sets of snipers on each side of the rally to hopefully help prevent any bad guys from doing really bad things. Luckily their services were not needed.
Players line the stage at the rally as Shaw makes his speech to the crowd.
Celebratory fireworks as they play Chelsea Dagger and hoist the Stanley Cup!
In just a few days, we’ll get a small dose of the long-missed hockey season (yes, it only ended 4 weeks ago, although that seems like forever) as we head to the 6th annual Blackhawks Convention at the Hilton downtown. We’ll see them hoist Lord Stanley at the Opening Ceremonies and have a chance to get up close to meet our favorite Blackhawks. If my heart is strong enough to handle the excitement of the next few days, hopefully I’ll be able to post some photos of the convention!
I love Lake Michigan!!! Without it, Chicago wouldn’t be what it is today. It’s been the biggest driver of Chicago’s growth over the last 200 years or so by drawing early settlers to the area, giving industries the resources they needed to thrive and now providing prospective and current residents the pristine lakefront views and recreation activities that make this a first-class city. While the functionality of Lake Michigan is still a huge part of Chicago’s history, the aesthetic beauty is something I keep trying to capture with my camera.
I’ve shared many photos of the lake in this blog. I’d shoot it every day if I could since its appearance can change daily. But the one thing that has remained constant in all of my Lake Michigan photos is my point of view. I’ve always been shooting from shore, or at best, out on a pier. This always leaves me wishing that I could flip my perspective and gets some shots from the lake looking to shore. The one problem with that is my lack of access to a boat….until last weekend.
On Sunday I had the privilege of meeting up with a new friend of mine who is a member of the Judd Goldman Adaptive Sailing Foundation (JGASF). If you haven’t heard of this awesome foundation, as I hadn’t, here is some information and a little history of this fantastic group.
Justin “Judd” Goldman was seventeen years old when he suffered a disabling bone disease. After realizing that there were few sports that he could participate in, he discovered sailing. During the next fifty-eight years he competed successfully in many races throughout the world, including over twenty-five Chicago-Mackinac Races, a 333-mile challenge from Chicago to Mackinac Island, Michigan. In 1989, at the age of seventy-five, Judd passed away at a Naples, Florida boatyard. In 1990, Judd’s wife, Sliv, son Peter and daughter Judy established the Judd Goldman Adaptive Sailing Foundation (JGASF) as a public/private partnership with the Chicago Park District. In 1992 the JGASF, in partnership with Chicago Yacht Club, founded the North American Challenge Cup (NACC) for sailors with disabilities. The NACC continues to be a major disabled sailing event today. The NACC and the JGASF are proud to have been chosen by US Sailing for twelve years as the host to the national sailing championship for disabled sailors, the Independence Cup (renamed the US Disabled Sailing Championship). During the twelve years the combined event was known as the Independence Cup/North American Challenge Cup. In 2001, the Foundation embarked on a pilot program with the Chicago Park District designed to teach sailing to Chicago inner-city youth. Offering an unequaled environment and an extremely rare experience for a big city recreational program, this unique approach brings the program to the neighborhood rather than the neighborhood to the program. The goal for this inner-city youth program is identical to our current mission…helping people to achieve self-esteem and independence.
The Judd Goldman Adaptive Sailing Program (JGASP) includes classroom and on-water instruction for the physically disabled. JGASP is a public/private partnership with the Chicago Park District whereby the Foundation raises funds for instructor salaries, boats and maintenance costs while the Park District operates the Program on a day-to-day basis. The fleet consists of eight Freedom 20’s, eight Sonars and four 2.4 meter sailboats. The Freedom 20’s were built specifically for disabled sailors and have many safety features that make this boat the premier boat of choice for a disabled sailing program. The Sonar and the 2.4 meter boats are for more advanced racing sailors and are used in world disabled championships, such as the Paralympics. All boats are very stable and will not capsize. The mission of the program- helping people to achieve self-esteem and independence.
So as a member of this foundation, my friend and his crew were kind enough to let me tag along as they sailed their collection of boats from Burnham Harbor to Belmont Harbor. And of course I couldn’t pass up the opportunity to bring along my camera to get some long-awaited shots of the city. As much as I was impressed by the amazing views, I was even more floored by the great people I met that day. I can’t remember the last time I met people as kind, fun, inclusive and supportive as the members, staff, friends and family of the Judd Goldman Adaptive Sailing Program. They’re truly a great group of people. And a special thanks to Gary, Kerry and Captain Tim for making it a really fun trip!
So, that’s enough rambling from me. Here are a few of my favorite shots that I took during my first ride on a sailboat, and more importantly, my first “photo cruise” on Lake Michigan.
Thanks again to our shipmates- Gary, Kerry and Captain Tim!
Along the shoreline you can see the dome of the Adler Planetarium (at left) and the white Pewabic Pottery tile and glass facade of the Shedd Aquarium’s Oceanarium (at right).
(at left) You can see the contrasting style of Soldier Field’s Greco-Roman columns and modern glass “bowl”. (at right) You can once again see the Adler Planetarium.
Want to donate to the Judd Goldman Adaptive Sailing Foundation to help support their mission? Click here for info.
Yesterday I posted the last of my Open House Chicago (Uptown edition) photos. I have plenty more from various neighborhoods throughout the city that I can’t wait to post but I’m going to hold those off until this upcoming October. Maybe I’ll do another epic series of posts for my favorite OHC stops of 2012. Yeah, I’m sure that will keep my dozens of readers on the edge of their seats. But for now, I want to make a quick post on a beautiful piece of Uptown history that I did NOT get to visit during OHC.
Ever since I moved to the Uptown neighborhood of Chicago, I’ve been fascinated by the deteriorating Uptown Theater. Even though the large vertical “Uptown” sign has long been removed, the windows have been boarded up and the marquee has been left to rust away, I can’t help but see the underlying beauty of this once amazing movie palace. I’m blown away by the craftsmanship and attention to detail visible from the exterior alone. And from what I’ve heard about the Grande Lobby, the outside is just the tip of the iceberg.
The Uptown Theatre, also known as the Balaban and Katz Uptown Theatre, is a massive, ornate movie palace in the Uptown neighborhood of Chicago, Illinois. It was designed by Rapp and Rapp and constructed in 1925, and along with the Riviera Theater it was one of the last of the “big three” movie palaces built by the Balaban & Katz theatre chain run by A. J. Balaban, his brother Barney Balaban and their partner Sam Katz.
The largest in Chicago, The Uptown Theater boasts 4,381 seats and its interior volume is said to be larger than any other movie palace in the United States, including Radio City Music Hall in New York. It occupies over 46,000 square feet of land at the corner of Lawrence Avenue and Broadway in Chicago’s Uptown neighborhood slowly becoming Chicago’s new Entertainment District. The mammoth theater has an ornate five story entrance lobby with an eight story facade.
Rehabilitation efforts are needed to restore and reopen this historic movie palace which has been closed to regular events since the winter of 1981 when, due to the owner having turned off the heat, a frozen water pipe burst and caused extensive damage to the interior. In subsequent years, deferred maintenance and vandalism have led to further debilitation of the structure and ornament, both inside and out making it unusable without restoration. Subsequently, even with the assistance primarily of volunteers, the building remained in the hands of a notorious tax-sale buyer and continued to deteriorate. During this time volunteers managed to have the theater designated a Chicago Landmark and recorded on the National Register of Historic Places on November 8, 2008.
Since 1981, the theater has been used as a location for scenes in movies such as the Academy Award-nominated Ron Howard movie, Backdraft, the Julia Roberts and Nick Nolte movie, I Love Trouble, and the John Hughes-Chris Columbus sequel Home Alone 2: Lost in New York. In the 1990s, the theatre lobby was host to the “Hearts Party” (a gay “circuit” party), which raised money for an AIDS charity.
In 2006, the exterior was extensively secured and terra cotta pieces were cataloged and stored for future restoration efforts. A May 21, 2007 article in Crain’s Chicago Business described the Uptown Theatre as “suddenly a hot property,” as three national entertainment companies were in competition to purchase, restore and reopen the Uptown Theatre.
It was purchased through a judicial sale July 29, 2008 by JAM Productions for $3.2 million and finalized in court on August 18, 2008. It is estimated it will take about $40 million to get it ready for use again. JAM currently also owns the Riviera Theater also on Broadway, approximately one block away.
Many articles, news stories and even a documentary have been done about the Uptown Theater even some more recently:
As I mentioned before, I did not get to go into the Uptown Theater. I’ve wanted to get a peek inside ever since I moved to the neighborhood but, I’m sure there’s a multitude of reasons why people aren’t allowed in the deteriorating theater-which I’m sure would be a liability nightmare for the owner to actually open it up to the public. So that’s probably the leading reason for why I’ve never been inside. Well, that AND the fact that I don’t know how to pick a pad lock or scale the side of a building to an unlocked window that I can jimmy open. I don’t think I have the core strength for that one.
The Uptown has a pretty impressive network of fire escapes on the back side of the theater.
With that in mind, if anyone reading this post has some connections and can pull some strings to get me and my camera into the Uptown for a day, I’d be willing to negotiate the terms of some financial compensation, the donation of a vital organ or the corporate naming rights to my first born child. Whatever it takes to get me inside. For real. Hook me up.
Yet I feel my best chance for living out that modest dream will be to wait out all the talks currently ongoing to make Uptown the new music district in town, much like the theater district in the Loop. It’s hard to have faith in the City of Chicago when it comes to following through with their grandiose plans to sink money into a project of this size. But I’m an optimistic guy and I’m going to keep my fingers crossed that there will be a great Uptown renaissance in store for this neighborhood of great potential. But the key to that happening is definitely the restoration of the Uptown Theater as the centerpiece of this neighborhood. And if the City of Chicago doesn’t come through, I’ll just have to win the Power Ball jackpot and bankroll the project myself! In the meantime, please enjoy some of these photos of interesting features that I took of the Uptown.
This is a used and abused light bulb, one of the last one remaining, in back of the building over one of the doors.
Even the manhole covers behind the theater are ornate.
Fancy brick work.
All the doors at the back of the theater have a fairly fresh coat of red paint which really stands out from the drab stone exterior.
Close-up of the marquee in its current condition.
My last stop in Uptown during the OHC was the Riviera Theater. While I have been there on several occasions, I usually tend to be in an altered state from the $8 beers offered in this wonderful venue and accompanied by a couple thousand friends listening to some quality music. It’s not exactly the best time to look around at all the amazing detail of this diamond in the rough and “take it all in”. So when I heard the doors would be open to the public allowing me the chance to admire the workmanship without having to push my way through a mosh pit and make myself vulnerable to catching a crowd surfer’s boot in my face, I had to jump on it.
Note: External photos were taken in the spring of 2013 since it was raining really hard at the time of OHC. And since I’m such a huge procrastinator, it took me 7 months to muster up the motivation to walk two blocks and take some photos of the outside of the building. Again, I’m not proud of that…
The Riviera was completed in 1917 by architects George and Cornelius W Rapp and opened in 1918, nine years before the first “talkie.” It was built as a movie theater for the Balaban & Katz chain and showed movies alternating with vaudeville and live music acts common at the time.
The 2,600-seat building distinguished itself from other theatres of its day through its sense of grandeur and attention to detail inside and out. The very visible marquee draws attention to its red brick façade featuring a grand arched entrance and glazed white terra cotta ornamentation. You can also see this detail in the original ceiling mural in the auditorium, as well as the balcony with framed mirrors and original silk curtains.
The growth of the suburbs and introduction of TV led to the decline of movie palaces in the 1960s-70s. Transformed into a private nightclub in 1986, the Riviera Theatre is now one of Chicago’s premier concert and special events venues.
Unfortunately, much like some of the other architectural wonders in the Uptown neighborhood, the Riv has seen better days. From the now infamous “diaper” that covers the exterior terra cotta to protects large chunks of the building from falling on folks passing by, to the damaged ceiling in the auditorium which is reminiscent of the 1982 Camaro owned by the guy down the street from where I grew up with the blue body paint, a red driver side door, a hood covered in primer and a rear fender patched up with a heavy dose of Bondo. The Riv is a little beat up. But once you get past all that patch work, the sticky floors, the dungeon-like lighting, the balcony seats that probably have stains that are older than I am and the crumbling façade, you can easily see how amazing this place once was and you can only hope that someday she gets the makeover she deserves to become a proud and historic addition to the neighborhood currently taking baby steps towards becoming Chicago’s newest entertainment district.
Another Uptown stop that I made during OHC was to the Preston Bradley Center- also known as The Peoples Church. This is a place that I have driven by a million times and always wondered what it was like inside due to the neo-classical facade of the building which features 6 large columns extending 5 stories over Lawrence Av. So when I saw it on the list for OHC, I knew I had to make a stop there.
Note: External photo was taken in the spring of 2013 since it was raining really hard at the time of OHC. And since I’m such a huge procrastinator, it took me 7 months to muster up the motivation to walk half a block and take some photos of the outside of the building. I’m not proud of that…
The Preston Bradley Center was built in 1926 at the height of Uptown’s glory days. It is home to art groups, social services and religious groups.
One of those religious groups is The Peoples Church of Chicago. As it is located in one of the most diverse communities in the US, it is a gathering place for open-minded, liberal Christians, Humanists and all others. Dr. Preston Bradley, who was 24 years old when he took over the congregation in 1912, built the Preston Bradley Center to house the church. The impressive building is composed of six floors with two balconies and a wide stage, where the congregation continues to worship. Bradley’s ministry included several church services each week, radio broadcasts reaching several million listeners, and an active community relief effort serving hundreds on the north side. Bradley was one of the first pastors to preach to a national radio audience (from this building), leading the longest continuously running religious radio broadcast for 50+ years.
Located on the 4th floor is The Uptown Arts Center. As a new project of the Preston Bradley Center, it opens this versatile building to developing the arts in the Uptown community. While I was there, it was hosting a collection of work by Immy Mellin, “The Sharpie King.”
Also sharing the 4th floor is the National Pastime Theater. For twenty years, The National Pastime Theater has insured progress by producing dynamic and masterful live theater. In addition to producing live theater, NPT has fostered over one hundred and fifty emerging and staple Chicago theater companies. In an effort to expand our mission, NPT supports those itinerant theaters that present a similar focus to that of NPT’s.
The Preston Bradley Center building was placed on the National Register of Historic Places in 2000.
Here is the second in a series of photos I took during the Open House Chicago (OHC) event- Essanay Studios. Essanay Studios, located in the 1300 block of West Argyle Street, is in the city’s Uptown neighborhood. Its peculiar name is an amalgam of the initials of the studio’s founding partners: George Spoor and Anderson. It was designated a Chicago Landmark by the Commission on Chicago Landmarks on March 26th, 1996, and acknowledged as the most important structure connected to the city’s role in the history of motion pictures.
Essanay produced silent films and boasted among its contract players with the world’s number one box-office star (Charlie Chaplin), a great matinee idol (Francis X. Bushman), a glamor queen (Gloria Swanson) and the dean of cowboy stars (studio co-founder Gilbert “Bronco Billy” Anderson). Essanay quickly became a dominant force in westerns and comedy. Its success was due in part to the well-matched talents of its partners.
In late 1914 Essanay succeeded in hiring Charlie Chaplin away from Mack Sennett’s Keystone Studios, offering Chaplin a higher salary and his own production unit. Chaplin made 14 short comedies for Essanay in 1915, at both the Chicago and Niles studios, plus a cameo appearance in one of the Broncho Billy westerns. Chaplin’s Essanays are more disciplined than the chaotic roughhouse of Chaplin’s Keystones, with better story values and character development. Chaplin disliked the unpredictable weather of Chicago, and left after only one year for more money and more creative control elsewhere. His departure caused a rift between founders Spoor and Anderson. Chaplin was the studio’s biggest moneymaker, and Essanay resorted to creating “new” Chaplin comedies from file footage and out-takes. Finally, with Chaplin off the Essanay scene for good, Essanay signed French comedian Max Linder, whose clever pantomime was often compared to Chaplin’s. Linder failed to match Chaplin’s popularity in America. In a last-ditch effort to save the studio, Essanay joined in a four-way merger orchestrated by Chicago distributor George Kleine in 1918.
The Essanay building in Chicago was eventually taken over by independent producer Norman Wilding, who made industrial films. Wilding’s tenancy was much longer than Essanay’s. In the early 1970s a portion of the studio was offered to Columbia College (Chicago) for a dollar but the offer lapsed without action. Then it was given to a non-profit television corporation which sold it. One tenant was the midwest office of Technicolor. Today the Essanay lot is the home of St. Augustine’s College, and its main meeting hall has been named the Charlie Chaplin Auditorium.
Today, the plain brick building on Argyle remains as a reminder of a period when Chicago was at the hot center of world moviemaking.
Well, I’m sure that you have seen that I had been neglecting my blog a bit due to the fact that my summer was pretty packed with plenty to do. But now that the weather is cooling off and my photo collection is overflowing, I’ve started to weed out some pics and post some of my favorites.
Here is the first in a series of photos I took during this really cool event hosted by the Chicago Architecture Foundation (CAF) on October 13th and 14th. The second annual event was called Open House Chicago (OHC) which allowed architecture geeks like myself into locations that are typically off-limits to the public. It was a free event that offered behind-the-scenes access to over 150 buildings across Chicago. You could explore the hidden gems and architectural treasures of Chicago’s diverse neighborhoods the whole weekend.
The first location I’d like to feature is one that’s close to home. It’s the Bridgeview Bank building at the corner of Lawrence and Broadway. This dramatically curved neo classical building has been an icon in Uptown since the completion of its original 8 stories (designed by Marshall & Fox) in 1924 for Sheridan Trust and Savings Bank- which failed in 1931.At 8 stories, it was the second largest building in Chicago with the Wrigley building surpassing it. An additional 4 stories (Huzagh & Hill) made it soar even higher in 1928. Tribute is still shown to the original tenant with the “S” in the decorative iron entryway of the bank. Uptown National Bank began using the building in 1937, and remained there until the building was purchased by Bridgeview Bank in 2003. On October 8, 2008, the City of Chicago granted the structure Chicago Landmark status.
The white glazed terra cotta façade is contrasted by olive green terra cotta around the doorways and windows that looks like metalwork from a distance. The banking lobby is an open, two story tall, octagonal space with the second floor grand hall features an elaborate plaster ceiling original to the building that was restored in 1977 and painted in the original Wedgewood inspired color scheme dating back to 1924. The ceiling panels are in seven-foot wide pie shape sections and are reinforced with horsehair. The countertops are original, as are the intricate markings on the teller cages. A student of Tiffany’s designed the lamps and tables- they are the original designs and still used today.
The basement contains the vault, which was the largest outside of the Loop Financial District. The vault contains more than 10,000 safety deposit boxes and is protected by two huge doors- the larger weighing in at 36 tons and the smaller door weighs 15 tons. The bank interior was showcased in the 2009 movie “Public Enemies,” starring Johnny Depp as John Dillinger. The current building owner, Bridgeview Bank, purchased the building in 2003.
You might remember seeing this lightning photo from my "Day 181: Lightning Strikes" post. It was chosen to be the main screen in the Gameday Central App.
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Showcasing Chicago One Image at a Time 
